The Good,The Bad and the Queen album cover

The Good the Bad & the Queen

When you put Damon Albarn, Paul Simonon, Simon Tong, and Tony Allen together with dub producer Danger Mouse in a studio and make a record, it’s not surprising that you get a dark, postcard from London dub mix. The Good,…
Cracker Island

Cracker Island

You know when an uncle gets a new hobby out of nowhere and won't shut up about it for six months? One week he’s making his own sourdough, the next he’s bought an expensive road bike and he’s wearing tight…
Parklife

Parklife

Blur didn't invent Britpop, despite what half of Britain seemed to believe in 1994, but they did end up becoming its poster boys. Parklife is the album everyone points to when they think of the movement. It's full of pubs,…
Demon Days Thumbnail

Demon Days

You don't dip into Demon Days. You live with it. Twenty years on, Damon Albarn and Danger Mouse’s apocalyptic, genre smashing gamble remains one of the most important records of the decade. We tear into the paranoid dread, the massive basslines, and why this masterpiece is far more than just a novelty act. Drop the needle and read on.